The German Baroque: Sylvius Leopold Weiss

New to the site: Theme of the Week. I’ll be posting articles, links, and videos based on the theme. There will still be other posts such as lessons etc, but the theme will add a narrative to the week.

To start us off I’ve chosen The German Baroque (click to see all posts in this theme). This is an era when the lute was still revered but certainly in decline as the keyboard continued to grow and dominate the period. However, lutenists such as Sylvius Leopold Weiss (12 October 1687 – 16 October 1750), were very active soloists and still found great amounts of work in orchestra and opera pits playing continuo either on lute or theorbo. In fact, Weiss was one of the highest paid court musicians in Dresden which tells us of his respect and demand.

Weiss was very prolific (over 600 works) and considered the greatest lutenist of his day. He met with J.S. Bach on occasion and they would have competitions improvising fugues of all things, Weiss on lute and Bach on organ! However, Weiss’s style was quite different than the older-fashioned style of Bach as he started to embrace some qualities of the galant style. Regardless of how you consider his style, it has a smooth flow and relaxed feel but still retains much of the counterpoint we all love from the Baroque. I love it!

I’ve chosen my favorite lute player for Weiss: Robert Barto. Check out his magnificent recordings of Weiss on Naxos

Prelude in G Major by Weiss Performed by Robert Barto


Presto in A Major by Weiss performed live by Robert Barto

Bradford Werner
Bradford Werner

Bradford Werner is a classical guitarist and music publisher from Victoria, British Columbia, Canada. He originally created this site for his students at the Victoria Conservatory of Music but now shares content worldwide. Curating guitar content helps students absorb the culture, musical ideas, and technique of the classical guitar. Bradford also has a YouTube channel with over 94,000 subscribers and 13 million views. He taught classical guitar at the Victoria Conservatory of Music for 16 years and freelanced in Greater Victoria for 20 years and now dedicates much of his time curating content online and helping connect the classical guitar community. See more at his personal website.

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