Lesson: Etude No.13, Op.100 by Giuliani

Etude No.13, Op.100 by Mauro Giuliani (1781-1829) – PDF or hardcopy sheet music and free video lesson for classical guitar. This performance and lesson comes from my book Classical Guitar Repertoire Lessons Grade 6 – Five pieces at the grade six level with dedicated lessons preparing you for each piece.

Jump to a section: Intro (1:46), Arpeggios (3:02), Slurs (4:17), Barre (5:36), Hinge-Barre (7:10), Walk-Through (11:04).

This a great study of arpeggios, slurs, and control over the texture. For this work I recommend turning the arpeggios, slurs, and barres into technique exercises to accomplish the skills before you tackle the piece itself. This is called “spot practicing” and turning your repertoire into technique exercises – When learning a new piece or maintaining a performance piece, you may find it helpful to use parts of your piece as technique exercises to train your muscle memory and stimulate your practice sessions. Here’s the YouTube link if you want to watch it there.

Here’s an additional video about hinge and pivot barres.

Bradford Werner
Bradford Werner

Bradford Werner is a classical guitarist and music publisher from Victoria, British Columbia, Canada. He originally created this site for his students at the Victoria Conservatory of Music but now shares content worldwide. Curating guitar content helps students absorb the culture, musical ideas, and technique of the classical guitar. Bradford also has a YouTube channel with over 94,000 subscribers and 13 million views. He taught classical guitar at the Victoria Conservatory of Music for 16 years and freelanced in Greater Victoria for 20 years and now dedicates much of his time curating content online and helping connect the classical guitar community. See more at his personal website.

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  1. I find it easier to play this opus 100 using the weaker type of slur where you don’t actually pluck the string but lift the finger off making a softer sound. Is this cheating to gain speed? Should I force myself to actually pluck the string on every slur?
    Thanks for all the amount of time you give to us through your teaching. I don’t know how else I could have come this far without your expert help.

    • It’s very important to practice both types of slurs so you have access to each one, especially if you need to clean up the sound of the second note. But during performance you can choose whichever is most appropriate to the situation and sound you are after. That said, just be sure you aren’t picking the easier one unless that is actually what you want for the piece.