Guardame las vacas by Narváez (Lesson, PDF)

Diferencias sobre Guárdame las vacas by Luys de Narváez (fl. 1526-1549) from Los seys libros del delphín – PDF Sheet Music for Classical Guitar. Comes with both a Notation-Only Edition and a TAB Edition. Left hand fingering. PDF Download. The level is Intermediate (Approximately Grade 6-7). Originally for vihuela. Please note: This edition uses F# tuning on the 3rd string (see video explanation).

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Also know as Luis Narváez, a Spanish composer and vihuelist. I’ve wanted to put out an edition of this work for some time. My edition follows the original tuning and tablature very closely and aims to explain the multi-voiced complexity of the work. You’ll notice a number of differences for well-known editions but I follow the original vihuela tablature (you can compare it as it is available on IMSLP).  Youtube Video Lesson Link (4k). Join the Email Newsletter to get updates on sheet music lessons. Please consider supporting the site.

Why do guitarists use capos and 3rd string F# tuning?

Sheet Music Samples

Bradford Werner
Bradford Werner

Bradford Werner is a classical guitarist and music publisher from Victoria, British Columbia, Canada. He originally created this site for his students at the Victoria Conservatory of Music but now shares content worldwide. Curating guitar content helps students absorb the culture, musical ideas, and technique of the classical guitar. Bradford also has a YouTube channel with over 94,000 subscribers and 13 million views. He taught classical guitar at the Victoria Conservatory of Music for 16 years and freelanced in Greater Victoria for 20 years and now dedicates much of his time curating content online and helping connect the classical guitar community. See more at his personal website.

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    • The tempo can vary depending on your preference. Lots of early music performances are quite slow but with wonderful attention to rhythmic aspect and motifs. On the modern classical though I do like to keep it going enough to get a sense of the overall phrase.

  1. Hi Bradford,

    Thanks for doing a lesson on this great piece. I had completely forgotten about it having learnt it (sort of) many, many years ago. I find the rhythm and pulse of the beat fascinating. The 6/4 time signature allows so many possibilities of emphasis.

    I assume you are fully aware of Narvaez’s other famous piece Tres Diferencias por otra Parte. Even more interesting rhythmic variations. Would you consider doing a lesson on this at some point in the future? The two pieces make a great pairing for part of a performance.

  2. Hi there. I’ve been trying to learn this piece but I can’t for the life of me work out what the ‘4’ notated above the third note means. I assume the notes refer to fret numbers because of the ‘0’s later in the piece, but the note is an ‘A’ and there are no ‘A’s the 4th fret in this tuning?