Evangelina Mascardi Plays Fantasia VII by Mudarra

Evangelina Mascardi (Vihuela) performs Fantasia VII by Alonso Mudarra (1510–1580) from Tres libros de musica en cifras para vihuela. This comes via Mascardi’s YouTube channel. Beautiful performance with excellent voice entries, phrasing, and rhythmic delivery. I learn so much about a natural delivery of early music performance practice just from watching Mascardi’s performances.

Mudarra wrote numerous pieces for the vihuela and the four-course guitar which are found in his Tres libros de musica en cifras para vihuela (Three books of music in numbers for vihuela), which he published in 1546 in Seville. These three books contain the first music ever published for the four-course guitar, which was then a relatively new instrument. Compositions represented in this publication include fantasias, variations (including a set on La Folia), tientos, pavanes and galliards, and songs. Read more via wiki.

If you’re interested in playing some Mudarra I have an edition and lesson for Fantasia No.10.

Bradford Werner
Bradford Werner

Bradford Werner is a classical guitarist and music publisher from Victoria, British Columbia, Canada. He originally created this site for his students at the Victoria Conservatory of Music but now shares content worldwide. Curating guitar content helps students absorb the culture, musical ideas, and technique of the classical guitar. Bradford also has a YouTube channel with over 94,000 subscribers and 13 million views. He taught classical guitar at the Victoria Conservatory of Music for 16 years and freelanced in Greater Victoria for 20 years and now dedicates much of his time curating content online and helping connect the classical guitar community. See more at his personal website.

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  1. Beautifully done! I wondered if playing instruments like the vihuela and lute with no nail extension gives some particular advantage to the player?

    • Nails tend to sound a bit bright on the lute and course instruments (actually 2 strings close together for each string). I don’t think there is a technique advantage but maybe more for tone.