This is a guest post by Clive Titmuss Previously published on Classical Guitar Canada. Visit his website to see more of his work and recordings (earlymusicstudio.com). All images provided by Clive Titmuss. Click on the images to enlarge. Part I As student…
A big thank you to Marcus Dominelli for this great interview. Marcus is always willing to sit down and have a talk with me over some coffee and answer my many guitar questions. He’s a friendly guy and always very interested…
This is a guest post by luthier Marcus Dominelli, Victoria, BC, Canada. I’d like to discuss the basics of bracing used in classical guitar making. This article is intended for those who know little about how classical guitars are made;…
Elevated Fingerboard (or raised fingerboard) is actually a bit of misleading name as it’s the top of the guitar that slopes down. Nevertheless, I will never go back to playing guitars without a raised (elevated) fingerboard. They are simply easier…
My experience with soundports: Sound portals are a bit strange at first because you’ll hear a whole new range of overtones, not to mention a volume increase while you play. However, I find it a bit odd because who ever…
A short documentary on luthier Stephan Connor. I used to play a Connor and they are great ‘big’ sounding guitars. Based out of Boston he is one of the great builders of the day with many, many pros playing his…