Beginner Tremolo Exercise for Guitar

This is a new beginner video lesson for my ebook: 20 Favorite Exercises for Classical Guitar – For beginner to intermediate classical guitarists (Includes: notation, TAB, fingerings, practice tips). I’ve been meaning to re-record some of these with better video.

FYI, my full technique book with notation-only have many more exercises.

This exercise, No. 5 – Basic Tremolo on Open Strings, aims to expose the beginner player to what is required of tremolo technique. I walk through the exercise and then give a few tips.  I also give a brief explanation sequential planting and possible corrections. The two books I mention in the video can be purchased from Amazon: Kitharologus: The Path to Virtuosity by Ricardo Iznaola and Pumping Nylon by Scott Tennant. The Iznaola is a very comprehensive book but difficult, the Tennant is great for intermediate player workout sessions. I recommend Tennants first to get things going and Iznaola for a more long-term study.

Looking for more Tremolo?

Bradford Werner
Bradford Werner

Bradford Werner is a classical guitarist and music publisher from Victoria, British Columbia, Canada. He originally created this site for his students at the Victoria Conservatory of Music but now shares content worldwide. Curating guitar content helps students absorb the culture, musical ideas, and technique of the classical guitar. Bradford also has a YouTube channel with over 94,000 subscribers and 13 million views. He taught classical guitar at the Victoria Conservatory of Music for 16 years and freelanced in Greater Victoria for 20 years and now dedicates much of his time curating content online and helping connect the classical guitar community. See more at his personal website.

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  1. There seems to be a lot of videos for either slow beginner exercises for tremolo or tremolo played perfectly. What seems to be missing are intermediate exercises at gradually faster speeds. This would be useful for two reasons. First, as a play along exercise for us student to mimic in order to get a more even tremolo. Second, so we can hear the progression from discrete notes to a tremolo effect as the speed picks up.